Marvin's Marvelous Mechanical Museum (Album)
| Marvin's Marvelous Mechanical Museum | |
| |
| Studio Album | |
| Released | November 12th 2005, August 15th 2006, April 1st 2008 |
|---|---|
| Recorded | June-October 2005, May-June 2007 (re-release) |
| Length | 49:21 (2005), 01:01:35 (2008, with bonus tracks) |
| Label | Quack! Media (2005), Atlantic Records (2008), Needlejuice Records (2021) |
| Producer | Tally Hall, Chris Shaw (co-producer '08) |
Marvin's Marvelous Mechanical Museum (M.M.M.M.) is Tally Hall's first studio album, released under the Quack! Media label on November 12th 2005.[1]
All of the tracks on the album are fleshed-out, finished versions of their demo tracks, with the exception of Haiku, which was a completely new song. The album gets its name from a museum of mechanized curiosities of the same name located in Farmington Hills, Michigan.
The album would later be slightly re-tooled and re-released on August 15th 2006, and re-recorded/remixed for release by Atlantic Records on April 1st 2008. Currently, the 2008 version of the album is the only version available on streaming, though the 2006 version was available for a short time on iTunes before 2008.
History
2005, 2006 and 2007
Despite having a major hit on the early internet and being a popular band in their home of Michigan, Tally Hall didn't think about re-recording the songs featured on Complete Demos until they signed a recording contract with Quack!Media's Al McWilliams in 2005. The idea came to record those songs, plus newly written ones, starting in June of the same year. McWilliams would give the band 2 weeks to record the album, but they needed more time to finish the album.[2]
They would also run into budgetary concerns, as the album cost more than triple their original budget to create.[3] Part of this cost would be spent pulling in music school graduates and friends like Jeremy Kittel (Be Born) and Bobby Streng (Welcome To Tally Hall) to record parts. One track planned for recording was Inside The Mind of Simon, a track Joe Hawley penned in 2004. This however would never happen, due to budgetary and time constraints. By October 2nd, the band only had two tracks left to record[4]. Meanwhile, Court Jones was working hard on the album cover with art design by Joe Hawley.
After 4 months of recording and mixing, the album would be finished and released on November 12th, 2005.
Later on, the album was officially re-released on August 15th, 2006.[5] The reasons for the re-release were never clear, but this re-release coincided with additional publicity on MTV, national distribution in all major retail stores, and various other TV appearances including The Late, Late Show with Craig Ferguson.
This 2006 re-release also fixed some errors with the 2005 release and featured a slightly different mix. In the original pressing, the Zubin page in the lyric sheets was colored purple instead of blue and the spine of the CD had a typographical error. It reads "Marvin's Marvelous Mechancial Museum" as opposed to "Mechanical". Both of these errors were fixed for the 2006 re-release.
The album was reprinted once more and was likely released on January 29th, 2007[6]. This reprint was largely the same as the 2006 version except that Zubin's page in the lyric book is a different shade of blue and it featured a hype sticker on the front when sealed.[7]
2008
- If you're looking for the differences between 2005 and 2008, please look for the "History" section on each song.
Tally Hall would sign with Atlantic Records in early 2007 and was approved to go back and touch-up Marvin's Marvelous Mechanical Museum at Stratosphere Sound Recording Studios in NYC with producer Chris Shaw. Of the tracks on the album, two would be re-recorded (Just Apathy and The Bidding) and the drums on each track were re-recorded.[8] During this time the band filmed multiple vlog style videos cataloging the recording of this new version[9], culminating in a skit video ("APRIL FOOLS") promoting its release on April 1st.[10]
The first single, Good Day, was released on February 26th, 2008. Another single from the album, Welcome To Tally Hall would be released but only as a radio promotional item.[11] The new version of the album was released on April 1st, 2008 on CD and digital services and with it, a limited black vinyl LP pressing of the album.[citation needed]
M.M.M.M. CDs bought at Tally Hall concerts after the album's re-release included a download code for three bonus tracks. These are Mucka Blucka, Dream, and Just A Friend. Mucka Blucka and Dream were included with the iTunes release of Marvin's Marvelous Mechanical Museum along with the Good Day music video and first episode of Tally Hall's Internet Show, Marvin's Marvelous Mechanical Museum. Just A Friend however would stay exclusive to the download code for years, until the release of Admittedly Incomplete Demos in 2015.[12]
2021
After a resurgence in popularity, Tally Hall signed to Needlejuice Records and agreed to re-release physical copies of the 2008 version of Marvin's Marvelous Mechanical Museum on CD, Vinyl, and for the first time: cassette tapes and minidiscs. This version also includes Mucka Blucka, Dream, and Just A Friend as bonus tracks (except on vinyl).[13] The physical releases include new artwork by Court Jones, the artist behind the original album cover.[14]
The 2021 CD release is an enhanced CD, containing the music video for Good Day and the first episode of Tally Hall's Internet Show. The Simlish version of Good Day recorded for The Sims 2 also appears for the first time on physical and digital platforms, being the "pregap" track on the 2021 CD and a hidden track on the Bandcamp release.[15]
Reception
After the 2006 re-release, Lloyd H. Cargo, Daily Music Editor for 'The Michigan Daily', reviewed it poorly writing that "Marvin's Marvelous Mechanical Museum isn't completely worthless. For example it would make a decent coaster or maybe even a good doorstop."[16]
Legacy
Marvin's Marvelous Mechanical Museum has become a favorite among many fans since its release(s) for its variety and strong tracklist, and original vinyl copies have been in high demand in recent years. Among the tracks on the album, Hidden In The Sand and The Bidding have enjoyed a big boost in popularity after the rise of the social media app TikTok,[citation needed] going so far as to both earn RIAA Gold certifications.[17]
Cover artwork
The cover was drawn by artist Court Jones. It features many references to the museum of the same name, including Marvin Yagoda, many machines from the museum, and with portraits of each band member in front. The cover features little color, only coloring in certain text and the band members themselves.
Tally Hall first found Court through the internet in college, specifically Zubin had found a drawing inspired by Alice in Wonderland.[18] The basic idea for the cover was created by Joe Hawley and was later sketched out sometime around June 13th 2005 (pictured top left) . Later on, Court would sketch a version much closer to what would become the cover artwork in July. This early design (pictured top right) included a hippo in a bathtub, Marvin Yagoda driving a biplane, and lighting in the sky. Court would eventually illustrate the artwork over the fall of 2005, with text and small changes added digitally. The near-final artwork would be completed on September 28th 2005, with changes made to Andrew's face over the next 3 days to finally complete the finished cover artwork on October 1st 2005.
Sometime before 2008, the band would ask Court to redraw the artwork for a new release of Marvin's Marvelous Mechanical Museum for Atlantic Records with a “woodcut illustration” art style. It was intended to feature real pictures of the band in place of illustrations, but for unknown reasons this was changed back to illustrations. The redrawn cover notably omits Banana Man and replaces a big mannequin with a clown.
Radio Promotional EP
Selections From The Upcoming Marvin's Marvelous Mechanical Museum is a promotional EP made for radio stations to showcase the then-upcoming album Marvin's Marvelous Mechanical Museum.
Despite being made not long before the album's release in November, it features alternative masters from the ones featured on the album. Specifically, Greener uses an alternative mix on this EP, using slightly more guitar that was mixed out of the track.
Track listing
| # | Title | Writers | Lead Singers | Duration |
|---|---|---|---|---|
| 1. | "Banana Man" | Hawley | Hawley | 4:09 |
| 2. | "Good Day" | Horowitz | Hawley, Cantor | 3:25 |
| 3. | "Greener" | Cantor | Cantor | 3:43 |
| 4. | "The Bidding" | Hawley | Hawley, Cantor, Sedghi | 2:29 |
Trivia
- In 2015, Tally Hall posted a "#throwbackthursday" showcasing the original sketches for the cover art[19]
- The 2008 and 2021 vinyl, and the Needlejuice cassette tape, both have track listings that differ from the other formats. Specifically, The Whole World And You had to be moved to Side A in order for all the songs to properly fit on each side of the format.
- Though the 2006 re-release of the album corrected the purple coloring and the spine typo, it can still be hard to determine if you have a 2005 or 2006 printing when it's still sealed. The best way to know is by the barcode. The barcode for the 2005 is: 6-1689268282-0. The barcode for the 2006: is 7-8144491001-7.
- According to Joe, the hardest songs to record on the album were Taken For A Ride, Spring And A Storm, and Ruler of Everything.
Track Listings
Tracks 13 and 15 are not listed on physical releases.
Click the buttons to see the corresponding tracklist.
2005 CD
| # | Title | Writers | Lead Singers | Duration |
|---|---|---|---|---|
| 1. | "Good Day" | Horowitz | Hawley, Cantor, Sedghi | 3:25 |
| 2. | "Greener" | Cantor | Cantor | 3:43 |
| 3. | "Welcome to Tally Hall" | Hawley (music & lyrics), Cantor, Sedghi (lyrics) | Cantor, Sedghi, Hawley | 5:10 |
| 4. | "Taken for a Ride" | Horowitz | Horowitz, Hawley | 4:40 |
| 5. | "The Bidding" | Hawley | Hawley, Cantor, Sedghi | 2:29 |
| 6. | "Be Born" | Cantor | Cantor | 3:10 |
| 7. | "Banana Man" | Hawley | Hawley | 4:09 |
| 8. | "Just Apathy" | Cantor | Cantor | 3:12 |
| 9. | "Spring and a Storm" | Hawley | Hawley | 4:43 |
| 10. | "Two Wuv" | Horowitz | Sedghi | 3:41 |
| 11. | "Haiku" | Cantor | Cantor, Hawley | 2:58 |
| 12. | "The Whole World and You" | Horowitz | Horowitz | 1:45 |
| 13. | "13" | n/a | n/a | 0:13 |
| 14. | "Ruler of Everything" | Hawley | Hawley, Sedghi | 4:17 |
| 15. | "Hidden in the Sand" (hidden track) | Hawley | Hawley | 1:54 |
2008 CD
| # | Title | Writers | Lead Singers | Duration |
|---|---|---|---|---|
| 1. | "Good Day" | Horowitz | Hawley, Cantor, Sedghi | 3:26 |
| 2. | "Greener" | Cantor | Cantor | 3:43 |
| 3. | "Welcome to Tally Hall" | Hawley (music & lyrics), Cantor, Sedghi (lyrics) | Cantor, Sedghi, Hawley | 5:10 |
| 4. | "Taken for a Ride" | Horowitz | Horowitz, Hawley | 4:43 |
| 5. | "The Bidding" | Hawley | Hawley, Cantor, Sedghi | 2:40 |
| 6. | "Be Born" | Cantor | Cantor | 3:10 |
| 7. | "Banana Man" | Hawley | Hawley | 4:09 |
| 8. | "Just Apathy" | Cantor | Cantor | 3:11 |
| 9. | "Spring and a Storm" | Hawley | Hawley | 4:47 |
| 10. | "Two Wuv" | Horowitz | Sedghi | 3:43 |
| 11. | "Haiku" | Cantor | Cantor, Hawley | 3:02 |
| 12. | "The Whole World and You" | Horowitz | Horowitz | 1:44 |
| 13. | "13" | n/a | n/a | 0:13 |
| 14. | "Ruler of Everything" | Hawley | Hawley, Sedghi | 3:42 |
| 15. | "Hidden in the Sand" (hidden track) | Hawley | Hawley | 1:52 |
Bonus Downloads
| # | Title | Writers | Lead Singers | Duration |
|---|---|---|---|---|
| 1. | "Mucka Blucka" | Hawley | Federman | 1:38 |
| 2. | "Dream" | Horowitz | n/a | 1:49 |
| 3. | "Just A Friend" | Biz Markie | Cantor, Sedghi | 4:30 |
2008 & 2021 Vinyl Release
| # | Title | Writers | Lead Singers | Duration |
|---|---|---|---|---|
| A1. | "Good Day" | Horowitz | Hawley, Cantor, Sedghi | 3:26 |
| A2. | "Greener" | Cantor | Cantor | 3:43 |
| A3. | "Welcome to Tally Hall" | Hawley (music & lyrics), Cantor, Sedghi (lyrics) | Cantor, Sedghi, Hawley | 5:10 |
| A4. | "Taken for a Ride" | Horowitz | Horowitz, Hawley | 4:43 |
| A5. | "The Bidding" | Hawley | Hawley, Cantor, Sedghi | 2:40 |
| A6. | "Be Born" | Cantor | Cantor | 3:10 |
| A7. | "The Whole World and You" | Horowitz | Horowitz | 1:44 |
| B1. | "Banana Man" | Hawley | Hawley | 4:09 |
| B2. | "Just Apathy" | Cantor | Cantor | 3:11 |
| B3. | "Spring and a Storm" | Hawley | Hawley | 4:47 |
| B4. | "Two Wuv" | Horowitz | Sedghi | 3:43 |
| B5. | "Haiku" | Cantor | Cantor, Hawley | 3:02 |
| B6. | "13" | n/a | n/a | 0:13 |
| B7. | "Ruler of Everything" | Hawley | Hawley, Sedghi | 3:42 |
| B8. | "Hidden in the Sand" (hidden track) | Hawley | Hawley | 1:52 |
2021 Cassette
| # | Title | Writers | Lead Singers | Duration |
|---|---|---|---|---|
| A1. | "Good Day" | Horowitz | Hawley, Cantor, Sedghi | 3:26 |
| A2. | "Greener" | Cantor | Cantor | 3:43 |
| A3. | "Welcome to Tally Hall" | Hawley (music & lyrics), Cantor, Sedghi (lyrics) | Cantor, Sedghi, Hawley | 5:10 |
| A4. | "Taken for a Ride" | Horowitz | Horowitz, Hawley | 4:43 |
| A5. | "The Bidding" | Hawley | Hawley, Cantor, Sedghi | 2:40 |
| A6. | "Be Born" | Cantor | Cantor | 3:10 |
| A7. | "The Whole World and You" | Horowitz | Horowitz | 1:44 |
| A8. | "Banana Man" | Hawley | Hawley | 4:09 |
| B1. | "Just Apathy" | Cantor | Cantor | 3:11 |
| B2. | "Spring and a Storm" | Hawley | Hawley | 4:47 |
| B3. | "Two Wuv" | Horowitz | Sedghi | 3:43 |
| B4. | "Haiku" | Cantor | Cantor, Hawley | 3:02 |
| B5. | "13" | n/a | n/a | 0:13 |
| B6. | "Ruler of Everything" | Hawley | Hawley, Sedghi | 3:42 |
| B7. | "Hidden in the Sand" (hidden track) | Hawley | Hawley | 1:52 |
| B8. | "Mucka Blucka" (bonus track) | Hawley | Federman | 1:38 |
| B9. | "Dream" (bonus track) | Horowitz | n/a | 1:49 |
| B10. | "Just A Friend" (bonus track) | Biz Markie | Cantor, Sedghi | 4:30 |
2021 CD
| # | Title | Writers | Lead Singers | Duration |
|---|---|---|---|---|
| 0. | "Good Day" (Simlish) (pre-gap bonus track) | Horowitz | Hawley, Cantor, Sedghi | 3:26 |
| 1. | "Good Day" | Horowitz | Hawley, Cantor, Sedghi | 3:26 |
| 2. | "Greener" | Cantor | Cantor | 3:43 |
| 3. | "Welcome to Tally Hall" | Hawley (music & lyrics), Cantor, Sedghi (lyrics) | Cantor, Sedghi, Hawley | 5:10 |
| 4. | "Taken for a Ride" | Horowitz | Horowitz, Hawley | 4:43 |
| 5. | "The Bidding" | Hawley | Hawley, Cantor, Sedghi | 2:40 |
| 6. | "Be Born" | Cantor | Cantor | 3:10 |
| 7. | "Banana Man" | Hawley | Hawley | 4:09 |
| 8. | "Just Apathy" | Cantor | Cantor | 3:11 |
| 9. | "Spring and a Storm" | Hawley | Hawley | 4:47 |
| 10. | "Two Wuv" | Horowitz | Sedghi | 3:43 |
| 11. | "Haiku" | Cantor | Cantor, Hawley | 3:02 |
| 12. | "The Whole World and You" | Horowitz | Horowitz | 1:44 |
| 13. | "13" | n/a | n/a | 0:13 |
| 14. | "Ruler of Everything" | Hawley | Hawley, Sedghi | 3:42 |
| 15. | "Hidden in the Sand" (hidden track) | Hawley | Hawley | 1:52 |
| 16. | "Mucka Blucka" (bonus track) | Hawley | Federman | 1:38 |
| 17. | "Dream" (bonus track) | Horowitz | n/a | 1:49 |
| 18. | "Just A Friend" (bonus track) | Biz Markie | Cantor, Sedghi | 4:30 |
Liner Notes
2005/6
www.tallyhall.com
℗© 2005 american eagle company, inc. 2005
all rights reserved.
unauthorized duplication is a violation of applicable laws
printed in the USA (this time).
produced by TALLY HALL
recorded and mixed at 40 OZ. SOUND in ann arbor, mi
engineer: BEN BEGAN
assistant engineer: BORA KARACA
mastered by: GREG POLSDOFER at EXCLUSIVE VIEW
art direction and design: JOE HAWLEY
artwork: JOE HAWLEY and ZUBIN SEDGHI
cover art: COURT JONES
various things: AL McWILLIAMS
MANY THANKS TO: bora karaca, bora karaca, bora karaca, michael anuzis, ben began, steve gallagher, ari grant,
mary huliberger, the lehr-scott family, al mcwilliams, quack! media, marvin yagoda, jeremy yagoda, our
families, our friends, our fans, and bora karaca
GUEST PERFORMERS:
BANJO: jim roll (6). CELLO: Cyrus hsieh (3, 8, 13, 14); anna schultz (3, 4, 9, 13, 14). CLARINET: andres ivan navedo (12). CHOIR 1: jason
ceo, greg jaffe, bora karaca, donald milton iii, michael steelman, victor szabo, brett trzcinski, tim wagner, jon zande (1, 5, 7). CHOIR 2:
michael anuzis, lisa bakale-wise, emily barkin, rebecca blinder, stephanie fajuri, jessica fetter, ashley hurst, alison kartush, andrew
papas, karl pestka, claire smith, caitlyn thomson (4, 12). CROWD: the haiku dinner party (11, clearly). FRENCH HORN: eric brummitt
(4, 9); brittni troy (4, 9). KIDS: taylor janssen (9); roberta tamm (9). MANDOLIN: ben began (14). MARVIN: marvin yagoda (3, 15).
SAXOPHONE: bobby streng (3, 4). TROMBONE: melissa gardiner (3, 4, 12); steve peterson (5, 7). TRUMPET: jeff blim (3, 12); david
tenerelli (4, 5, 7). TUBA: matt lyon (5, 7); michael nickens (3, 4, 12). VIOLA: laurel borden (3, 4, 9, 13, 14). VIOLIN: shawn jaeger
(3, 4, 9, 13, 14); jeremy kittel (6). UPRIGHT BASS: keith reed (4, 6, 9, 12). WHISTLING: bora karaca (7).
joe hawley ross federman zubin sedghi rob cantor andrew horowitz
visit THE REAL PLACE!
marvin's marvelous mechanical museum
31005 orchard lake road
farmington hills, MI 48334 U.S.A.
marvin3m.com
2008
Produced by TALLY HALL
Recorded by BEN BEGAN at 40 oz. Sound, Ann Arbor, MI
Mixed by CHRIS SHAW at Stratosphere Sound, New York, NY
Mastered by GREG CALBI at Sterling Sound, New York, NY
Additional Production & Recording by CHRIS SHAW
Assisted by ARJUN AGERWALA, MIKE NESCI & ADAM TILGER
Additional Digital Assembly by RUDYARD LEE CULLERS
Additional programming on "Welcome To Tally Hall" by CHRIS SHAW
Field Engineer: BORA KARACA
Drums Technician: ARTIE SMITH
"The Bidding" and "Just Apathy"
Produced by CHRIS SHAW & TALLY HALL
Recorded by CHRIS SHAW at Stratosphere Sound, New York, NY
Art Direction and Design: PATRICK FONG & JOE HAWLEY
Artwork: COURT JONES
Photography: JENNIFER TZAR
A&R: LEIGH LUST
Management: JAMIE KITMAN and BEN SANDLER, The Hornblow Group USA
US Booking: ERIK SELZ, Red Ryder Entertainment
International Booking: PAUL BOSWELL, The Free Trade Agency
Legal: MICHAEL GOLDSMITH, Grubman Indursky & Shire
Business Management: JEN GZIN and ILENE BASHINSKY, RZO
Various Things: AL MCWILLIAMS
GUEST PERFORMERS:
BANJO: JIM ROLL (6). CELLO: RACHIEL HSIEH (3,8,13,14), ANNA SCHULTZ (3,4,9,13,14). CLARINET: ANDRES IVAN NAVEDO (12).
CHOIR 1: JASON CEO, GREG JAFFE, BORA KARACA, DONALD MILTON III, MICHAEL STEELMAN, VICTOR SZABO, BRETT TRZCINSKI,
TIM WAGNER, JON ZANDE (1,5,7) CHOIR 2: MICHAEL ANUZIS, LISA BAKALE-WISE, EMILY BARKIN, REBECCA BLINDER, STEPHANIE
FAJURI, JESSICA FETTER, ASHLEY HURST, ALISON KARTUSH, ANDREW PAPAS, KARL PESTKA, CLAIRE SMITH, CAITLYN THOMSON
(4,12). CROWD: THE HAIKU DINNER PARTY (11). FRENCH HORN: ERIC BRUMMITT (4,9) BRITTNI TROY (4,9). KIDS: TAYLOR
JANSSEN (9): ROBERTA TAMM (9). MANDOLIN: BEN BEGAN (14). MARVIN: MARVIN YAGODA (3,15). ROCK GTR: CHRIS SHAW (5).
SAXOPHONE: BOBBY STRENG (3,4). TROMBONE: MELISSA GARDINER (3,4,12),STEVE PETERSON (5,7). TRUMPET: JEFF BLIM (3,12),
DAVID TENERELLI (4,5,7). TUBA: MATT LYON (5,7), MICHAEL NICKENS (3,4,12). VIOLA: LAUREL BORDEN (3,4,9,13,14). VIOLIN:
SHAWN JAEGER (3,4,9,13,14), JEREMY KITTEL (6), UPRIGHT BASS: KEITH REED (4,6,9,12). WHISTLING: BORA KARACA (7).
Special Thanks: DAVID AGNEW, ANDREW AKMAN, MITCH ALBOM, MICHAEL ANUZIS, ATLANTIC RECORDS, MARTIN BANDYKE, BEN
BEGAN, JASON BERRY, THE BLIND PIG, MIKE CLARK, MARK COPELAND, JEFF DANA, JONATHAN FELDMAN, CRAIG FERGUSON, ADINA
FRIEDMAN, STEVE GALLAGHER, DAYNA GHIRALDI, LISA GOICH, JUSTIN GOLDBERG, ARI GRANT, JULIE GREENWALD, CAMILLE
HACKNEY, DEB HANKS, NIC HARCOURT, HOWARD HERTZ, MARY HULLIBERGER, GREG JOHNSON, COURT JONES, BRIGITTA KAHN,
CRAIG KALLMAN, NANCY KANTER, BORA KARACA, JAMIE LAMM, THE LEHR-SCOTT FAMILY, ROGER LELIEVRE, JOHN LOWE, LEIGH
LUST, CYNDI LYNOTT, JENNY MARSH, CATHARINE MCNELLY, AL MCWILLIAMS, TIM MOORE, ERIC MORGESON, ERICH MULLER,
ALEX PATSAVAS, GREG POLSDOFER, QUACK! MEDIA, ADAM REY, RZO, DAVID SASLOW, BRAD SAVAGE, CHRIS SHAW, BILLY SEIGLE,
PAUL SINCLAIR, PETE SMOLIN, MATT SPINNER, TIFFANY STATON, STRATOSPHERE SOUND, LIVIA TORTELLA, DANE VENABLE,
CAROLYN WACHNICKI, WILLOBEE, KRISTY JO WINKLER, DEREK WOLFFORD, JEREMY YAGODA, and MARVIN YAGODA
Very special thanks to our FAMILIES, FRIENDS, and FANS.
2021
Produced by Tally Hall. Recorded by Ben Began at 40 oz. Sound, Ann Arbor, MI. Mixed by Chris Shaw at Stratosphere Sound, New
York, NY. Mastered by Greg Calbi at Sterling Sound, New York, NY. Additional Production & Recording by Chris Shaw. Assisted by
Arjun Agerwala, Mike Nesci, & Adam Tilcer. Additional Digital Assembly by Rudyard Lee Cullers.
Additional programming on "Welcome to Tally Hall" by Chris Shaw. Field Engineer: Bora Karaca. Drum Technician: Artie Smith.
"The Bidding" & "Just Apathy" produced by Chris Shaw & Tally Hall. Recorded by Chris Shaw at Stratosphere Sound, New York, NY.
Art Direction & Design: Patrick Fong & Joe Hawley. Artwork: Court Jones.
Back cover layout: Austin Ash Lemon. Photography: Jennifer Tzar. A&R: Leigh Lust. Management: Jamie Kitman & Ben Sandler,
The Hornblow Group USA. US Booking: Erik Selz, Red Ryder Entertainment. International Booking: Paul Boswell, The Free Trade
Agency. Michael Goldsmith, Grubman Indursky & Shire.
Business Management: Jen Czin & Ilene Bashlinsky, RZO. Various Things: Al McWilliams.
"Mucka Blucka" and "Dream" recorded, mixed and mastered by Geoff Michael at Big Sky Recording, Ann Arbor, MI.
"Just a Friend" recorded, mixed and mastered by Eric Morgeson at Studio A Recording, Dearborn Heights, MI.
"Just a Friend" written by Biz Markie and published by CAK Music / Cold Chillin' Music.
GUEST PERFORMERS: BANJO: Jim Roll (6). CELLO: Rachel Hsieh (3,8,13,14); Anna Schultz (3,4,9,13,14). CLARINET: Andres
Ivan Navedo (12). CHOIR 1: Jason Ceo, Greg Jaffe, Bora Karaca, Donald Milton III, Michael Steelman, Victor Szabo, Brett Trzcinski,
Tim Wagner, Jon Zande (1,5,7). CHOIR 2: Michael Anuzis, Lisa Bakale-Wise, Emily Barkin, Rebecca Blinder, Stephanie Fajuri, Jes-
sica Fetter, Ashley Hurst, Alison Kartush, Andrew Papas, Karl Pestka, Claire Smith, Caitlyn Thomson (4,12). CROWD: The Haiku
Dinner Party (11). FRENCH HORN: Eric Brummitt (4,9); Brittni Troy (4,9). KIDS: Taylor Janssen (9); Roberta Tamm (9). MANDO-
LIN: Ben Began (14). MARVIN: Marvin Yagoda (3,15). ROCK GTR: Chris Shaw (5). SAXOPHONE: Bobby Streng (3,4). TROM-
BONE: Melissa Gardiner (3,4,12); Steve Peterson (5,7). TRUMPET: Jeff Blim (3,12); David Tenereli (4,5,7). TUBA: Matt Lyon
(5,7); Michael Nickens (3,4,12). VIOLA: Laurel Borden (3,4,9,13,14). VIOLIN: Shawn Jaeger (3,4,9,13,14); Jeremy Kittel (6), UP-
RIGHT BASS: Keith Reed (4,6,9,12). WHISTLING: Bora Karaca (7).
Special Thanks: David Agnew, Andrew Akman, Mitch Albom, Michael Anuzis, Atlantic Records, Martin Bandyke, Ben Began, Jason
Berry, The Blind Pig, Mike Clark, Mark Copeland, Jeff Dana, Jonathan Feldman, Craig Ferguson, Adiana Friedman, Steve Gallagher,
Dayna Ghiraldi, Lisa Goich, Justin Goldberg, Ari Grant, Julie Greenwald, Camille Hackney, Deb Hanks, Nic Harcourt, Howard Hertz,
Mary Hulliberger, Greg Johnson, Court Jones, Brigitta Kahn, Craig Kallman, Nancy Kanter, Bora Karaca, Jamie Lamm, The
Lehr-Scott Family, Roger LeLievre; John Lowe, Leigh Lust, Cyndi Lynott, Jenny Marsh, Catharine
McNelly, Al McWilliams, Tim Moore, Eric Morgeson, Erich Muller, Alex Patsavas, Greg Polsdofer, Quack! Media, Adam Rey, RZO,
David Saslow, Brad Savage, Chris Shaw, Billy Siegle, Paul Sinclair, Pete Smolin, Matt Spinner, Tiffany Staton,
Stratosphere Sound, Livia Tortella, Dane Venable, Carolyn Wachnicki, Wilobee, Kristy Jo Winkler, Derek Wolfford, Jeremy Yagoda,
and Marvin Yagoda. Very special thanks to our families, friends, and fans.
Reissued by Needlejuice Records. Music and lyrics ©2008 Tally Hall under exclusive license to Needlejuice Records, LLC.
Lyrics reprinted with permission. All rights reserved. NJR-044.
In loving memory of Ryan Brady,
whose continued support for Tally Hall was instrumental to the success of this reissue.
References
- ↑ Tally Hall Website Archive 10/25/05 TallyHall.com, November 25th 2005. [Archive.org.] Archived via The Wayback Machine. Accessed 24th March 2024.
- ↑ In A State Andrew Horowitz interview Himalaya.com. [Episode 5].
- ↑ Andrew Horowitz. In My Own Words: Making It Big. Newspaper Article. The Michigan Daily, February 16th 2006. (Vol 115, iss 77). Archived Via Umich.edu. Accessed March 24th 2024.
- ↑ Doris the cat - rf. LiveJournal.
- ↑ Tally Hall U.N.C.L.E. press PDF Archived Via Tallyall.
- ↑ Amazon Product Page. 'Tally Hall - Marvin's Marvelous Mechanical Museum'. Amazon.com
- ↑ Picture of a sealed 2007 CD (bottom left) Archived Via The Wayback Machine.
- ↑ Keep Up The Good Work Special Edition: Steve Loter and Rob Cantor discuss The Ghost and Molly McGee YouTube.
- ↑ NYC I: RE-MMMM YouTube.
- ↑ APRIL FOOLS (Tally Hall, re-upload) YouTube.
- ↑ Tally Hall – Welcome To Tally Hall. Discogs.
- ↑ Tally Hall - Just a Friend on Bandcamp. Bandcamp.
- ↑ https://needlejuicerecords.com/search?q=marvin+s+marvelous+mechanical+museum&_pos=1&_psq=marvin&_ss=e&_v=1.0 Marvin's Marvelous Mechanical Museum product page. Needlejuice Records. Retrieved 2nd May 2024.
- ↑ Court Jones designing new gatefold art Needlejuicerec. [Tweet]. Twitter.
- ↑ Screenshot of the album's Bandcamp page with the "Hidden Bandcamp Tracks" browser extension. Archived Via The Wayback Machine.
- ↑ Lloyd H. Cargo. 'Immature Musicianship' in The Michigan Daily. October 11th 2006. The Michigan Daily. Retrieved 15th May 2024.
- ↑ RIAA Tally Hall Certifications July 12th 2023. RIAA. Retrieved 15th May 2024.
- ↑ Joe Hawley. Instagram post from Joe Hawley about the Marvin's artwork inspiration. @joehawleyjoehawley001. Instagram, February 22nd, 2021.
- ↑ Tally Hall #throwbackthursday 2005. Facebook, July 2nd, 2015.