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| Marvin's Marvelous Mechanical Museum has become a favorite among many fans since its release(s) for its variety and strong tracklist, and original vinyl copies have been in high demand in recent years. Among the tracks on the album, [[Hidden In The Sand]] and [[The Bidding]] have enjoyed a big boost in popularity after the rise of the social media app TikTok. | | Marvin's Marvelous Mechanical Museum has become a favorite among many fans since its release(s) for its variety and strong tracklist, and original vinyl copies have been in high demand in recent years. Among the tracks on the album, [[Hidden In The Sand]] and [[The Bidding]] have enjoyed a big boost in popularity after the rise of the social media app TikTok. |
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| ==Key Differences Between 2005 and 2008 Releases==
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| The album received new cover art and an overall tune up for the later Atlantic version (as well as iTunes bonus tracks), the key differences between particular songs can amount to being anywhere from very minimal to entirely different recordings:
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| *Good Day: Vocal Introduction at the beginning contains more than 2 voices. The part at the end beginning with “I thought you knew I knew” is much slower.<ref name=thepineappletomorrow>[https://www.tumblr.com/dashboard/blog/thepineappletomorrow/102819471700 complete list of things what were changed for the 2008 release. thepineappletomorrow. Tumblr. (Tumblr account required for access)]</ref>
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| *Greener: Guitar does not switch channels throughout the introduction.<ref name=thepineappletomorrow></ref>
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| *Welcome to Tally Hall: Joe’s beatboxing is much louder during Rob’s verse and the build-up heard after the song is much more dramatic.<ref name=thepineappletomorrow></ref>
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| *On the Atlantic "Taken For A Ride," just before the previous track (“Welcome to Tally Hall”) ends, there is a climactic build up of clanking sounds right up to the start of the next song. In addition, the Vocoder technique being used on Andrew’s voice is much cleaner sounding in the later version, allowing one to more easily understand the lyrics. Pauses of silence are also minutely extended to create more punctuation. The bells heard during the lines “Listening to painted whisper…” are also slightly different.<ref name=thepineappletomorrow></ref>
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| *“The Bidding” was originally performed at a faster tempo, but the later version is significantly slower<ref name=thepineappletomorrow></ref> to the point that it adds roughly 10 seconds to the overall length. The Atlantic version is a new recording and not simply a slower master of the ’05 release. The keyboards and the bell sounds during Rob’s verse are also much louder.<ref name=thepineappletomorrow></ref>
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| *Be Born: The vocals starting at 2:05 are a little bit more quiet. <ref name=thepineappletomorrow></ref>
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| *Lots of balancing changes are dominant in “Banana Man,” the spoken intro sounds different on both releases. The guitar is louder, harmonies throughout the song are louder, and the “Wheee” sound at 1:35 is slightly different.<ref name=thepineappletomorrow></ref>
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| *Of all the songs however, it appears that “Just Apathy” went through the most changes, as the Atlantic release is entirely different. The brief violin intro from the original is absent and the song starts off with the lyrics instead. Some small instrumental breaks were also omitted for the sake of moving through the beginning more quickly. The piano chords are slightly different, there are missing violin and cello tracks, the guitar solo does not continue to the chorus but instead is present during the bridge, and the short break after the first verse is missing.<ref name=thepineappletomorrow></ref>
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| *A noticeable change for “Two Wuv” is that when the words “you dressed up like a bee” are sung, there is a faint buzzing sound to emphasize the joke in the wording. For whatever reason, this was removed from the ’08 release (perhaps considered too silly or obvious). The drums are also considered to be louder throughout.<ref name=thepineappletomorrow></ref>
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| *“The Ruler of Everything” (along with its intro “13”) is, at the beginning, slightly lower in pitch than the older release. The lowering of pitch was caused by slightly slowing the song, according to Joe Hawley. The change was made, possibly to create a more ominous initial impression of the song. The silence and ambient wave sounds at the end are also extended, so that there is a longer wait time before “Hidden in the Sand” starts playing.
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| ==Trivia== | | ==Trivia== |